Dispatch
“Blame Biden for the affordability crisis,” by James…
Democrats won recent elections in New York City, New Jersey, and Virginia by calling attention to…
Week in review
Recent stories of note: “Only human”Paul Cartledge, The Times Literary Supplement “Beauty is…
“From cover to cover,” by Mark Judge
Roy Kuhlman (1923–2007) worked during the mid-twentieth century, when graphic design was defined by…
Refurbishing modernism
The Vienna Furniture Museum, famous for its extensive collections of nineteenth-century Biedermeier…
A perfect fit
The Opéra Royal de Versailles opened its season last month with a new production of Rossini’s…
The Critic’s Notebook
Art: Soane office, RA Lecture Drawing to illustrate an Egyptian temple: Perspective of the…
Week in review
Recent stories of note: “Egypt’s Grand Museum opens, displaying Tutankhamun tomb in full for first…
If Aida known better – The New Criterion
“I may have revealed strategic information,” admits Radamès, the hapless soldier in the Washington…
Aida & the ayatollahs – The New Criterion
For its “new” production of Aida this fall, the Paris Opera imported one from the 2017 Salzburg…
The Critic’s Notebook by the Editors
Art: René Magritte, The Secret Double, 1927, Oil on canvas, Centre Georges Pompidou, Paris. …
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