Dispatch
“Moral kitsch & standing ovations,” by Max L.…
At the Wiener Staatsoper this spring, George Balanchine’s Divertimento No. 15 and Merce Cunningham’s…
“A Bayadère for Budapest,” by Paul du Quenoy
Under Prime Minister Viktor Orbán, Hungary’s government has invested heavily in the arts, including…
“A Shakespearean romance comes to New York,” by Robert…
William Shakespeare’s The Winter’s Tale, published in the First Folio in 1623, is known by scholars…
David Lehman wins the twenty-fifth New Criterion Poetry…
The Editors of The New Criterion are pleased to announce that David Lehman is the winner of the…
“The Critic’s Notebook,” by the Editors
Nonfiction: Modern Artisan: A World of Craft Tradition and Innovation, by Isabelle Dupuy Chavanat …
“A practicing art historian,” by Julia Friedman
“Wayne Thiebaud: Art Comes from Art,” which opened at the California Palace of the Legion of Honor…
Week in review
Recent stories of note: “Three Visions for a New Penn Station”Catesby Leigh, City Journal Older New…
“Science and accountability,” by Scott W. Atlas
Editors’ note: The following is an edited version of remarks delivered at the Alliance for…
“Science and accountability,” by Scott W. Atlas
Editors’ note: The following is an edited version of remarks delivered at the Alliance for…
The Critic’s Notebook
Art: Ben Shahn, Harvesting Wheat, 1941, Fresco on wallboard, D. Wigmore Fine Art, Inc., New York…
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