Art
Sargent’s heiresses | The New Criterion
The Music Room at Kenwood House serves as the grand centerpiece gallery of a new exhibition on the …
The world’s greatest calendar | The New Criterion
In somewhat the same way as Chaucer’s Canterbury Tales, the illuminated paintings of The Very Rich…
David and the modern Goliath
Of all the museums charged with the preservation of artistic traditions, those dedicated to the…
The Critic’s Notebook | The New Criterion
Nonfiction: “A Seditious and Sinister Tribe”: The Crimean Tatars and their Khanate, by Donald…
How a duct-taped banana exposed the death of beauty
Chances are that you've disagreed at least once with a family member, friend, or co-worker…
Week in review | The New Criterion
Recent stories of note: “Met Museum Plans Major Raphael Exhibition for 2026” Maximilíano Durón,…
Coastal canvassing
The Museo M9, billed as the “Museum of the 20th Century,” lies amid the modern urbs Venice Mestre,…
The Smithsonian Institution Has Been Captured By The…
The museums advance a story about environmental doom, racial grievance, and criticism of American…
Destroying Embryos, For Eugenics Or Not, Is Nothing…
In a moral and just world, culling embryos deemed 'less than' would be illegal. Instead,…
Grayness illuminated
Rovigo sits unfavorably between Padua and Ferrara. Unfavorably, because Padua and Ferrara, despite…
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