Art
Sweet dreams
The Musée Marmottan-Monet, next to the luscious Garden of Ranelagh in Paris’s Sixteenth…
Canterbury Cathedral Graffiti Art Installation Blasted…
The increasingly woke Church of England has drawn international backlash over an “ugly” graffiti art…
Israel’s Gauguin
Three days into the Israel–Iran Twelve-Day War in June of this year, an Iranian missile landed in…
The Critic’s Notebook | The New Criterion
Nonfiction: E. T. A. Hoffman, by Ritchie Robertson (Reaktion Books): Poke about in…
Greuze revisited
The Petit Palais, one of Paris’s most agreeable museums and with a permanent collection open to the…
“The first modern painter,” by John Chaves
More than many artists, Jean-François Millet (1814–75) has had his reputation made by others.…
Week in review
Recent stories of note: “Is a Vermeer self-portrait hiding behind his ‘sleeping maid’ at the…
Who Is Like the Lord? How Beauty Nourishes the Soul and…
Who is like the LORD, our God, who is enthroned on high and looks upon the heavens and the earth…
Who Is Like the Lord? How Beauty Nourishes the Soul and…
Who is like the LORD, our God, who is enthroned on high and looks upon the heavens and the earth…
“The Critic’s Notebook,” by the Editors
Nonfiction: Horace: Poet on a Volcano, by Peter Stothard (Yale University Press): Peter Stothard, a…
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