I recently did something that I usually avoid. I stayed up too late and wandered into the digital sewer we politely call “the conversation.” X, feeds, clips, comments, rage-bait. I knew it would not end well, but I kept scrolling anyway. By the time I finally shut it off, it was clear that the despair and resentment social media produces are not a bug — they are the feature.
The world you see online is a world stripped of context and proportion. Everything is framed as an emergency, everything demands outrage, nothing asks for wisdom. Human suffering is turned into ammunition, children are turned into slogans, and hatred is dressed up as moral clarity. If you sit with it long enough, you begin to feel foolish for believing in decency at all.
God is not dead. He is not asleep. And the story is not finished, no matter how much the algorithm wants you to believe otherwise.
It made me think of a poem I had not thought about for some time.
Henry Wadsworth Longfellow’s “Christmas Bells” is often quoted for its opening lines about peace on earth and goodwill toward men. That is usually where people stop.
But Longfellow wrote the poem in the middle of the Civil War. His country was fractured, his own son a casualty of the fighting, and his wife killed in a tragic accident. The poem is an honest look into the mind of a man laid low.
In the early stanzas, Longfellow describes hearing church bells repeat the old promise of peace. Then reality intrudes, cannons thunder, violence drowns out the song. He writes that it felt “as if an earthquake rent the hearthstones of a continent.” That is what civil war feels like from the inside.
That line has stayed with me for a very long time.
We are not there yet, but the pressure is mounting. Anti-Semitism has returned openly, not whispered, but justified. The Jewish people — history’s most reliable early warning system — are being threatened again, and too many voices respond with silence, excuses, or applause. We swore we would never allow this again. Now it is happening all over the West.
At the same time, the world is edging toward wider conflict. Alliances are hardening, borders matter again. But this time, there is no obvious force capable of stabilizing the chaos. America is busy devouring itself. Europe is exhausted. The rest of the world is watching to see what happens next.
This is the part of the poem most people skip.
Longfellow does not rush to hope. He admits his despair. “There is no peace on earth,” he writes, “for hate is strong, and mocks the song.” Honesty is not weakness. Pretending everything is fine when it is not is how civilizations collapse quietly.
But the poem does not end there.
The final stanza matters because it follows despair instead of denying it. Longfellow writes:
Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”
That is not cheap optimism promising a quick end to suffering. It is a conviction insisting that evil does not get the last word.
That distinction matters a lot right now.
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Hope is not pretending the algorithm is wrong. It is recognizing that what trends is rarely what endures. The quiet courage that holds families together, the decency that stops violence when no camera is present, the faith that steadies people when institutions fail — those things do not go viral, but they do prevail. History does not turn on outrage. It turns on character.
Every civilization that survives a moment like this does so because enough people refuse to surrender their moral bearings. They do not deny the danger or excuse the evil. They do not outsource conscience to crowds or machines. They decide, quietly and stubbornly, to let their lives reflect the fact that truth still matters.
Longfellow had not yet seen the end of the war when he wrote that poem. He wrote it because despair was real and hope was necessary anyway. The bells did not silence the cannons overnight. But they reminded him — and us — that order is not an illusion and truth is not negotiable.
God is not dead. He is not asleep. And the story is not finished, no matter how much the algorithm wants you to believe otherwise.
