One of the stranger moments in the history of American popular music occurred in the winter of 1986, when the chorus of the hottest song on the pop charts featured Greek lyrics from a Christian prayer. Teenagers speeding with their friends rolled down their windows, let the wind blow their Aqua Netted hair, and yelled, “Kyrie Eleison”—Lord have mercy—“down the road that I must travel!” At keg parties in fraternities and sororities across the land, college students sang, in the native language of their social organizations, “Lord have mercy through the darkness of the night.” And while it’s true that many of the song’s fans probably thought they were singing “carry a laser,” Mr. Mister’s “Kyrie Eleison” topped the Billboard 100 for two consecutive weeks. As Tom Breihan describes it, the hit pop song is “a textbook example of ambiguous worship music.”
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